Tatiana Avdjiev is a lifestyle photographer based in Chicago who has developed an eye for capturing everyday situations and genuine moments. Tatiana is also drawn to capturing movement in dance and sports, demonstrating a wide set of photographic skills. Her talent has secured her features in Photography Masterclass Magazine, TimeOut Chicago, and Imaginarium Magazine.
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I studied magazine articles offering technical advice and “Top 10 Tips,” but I also had the benefit of learning in person from experienced local photographers. These guys were serious hobbyists, mostly, and I’ll label them as my “unwitting mentors”—photo mentors due to their zeal for all things photo-related, and unwitting in that I could easily trick them out of useful knowledge by simply hanging around.
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In the second of a series of follow-up articles to The Quality of Light, I have posted this article to share a series of photographs (along with the thought processes behind them) that captures the quintessence of a well-known and spectacular light display, often referred to as the “Secondary Sunset” or “Second Sunset”. As with many of my previous articles, my goal with this post is to encourage my fellow photographers to be inspired by light, composition, and mood, to spur them to explore their creative potential, and to get out and make beautiful photographs.
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The secret to capturing perfectly exposed images lies in understanding what’s known as the “exposure triangle.” When it comes to getting photos that are too light, too dark, or just right, everything boils down to just three settings: ISO, shutter speed, and aperture. Each setting is important, and they all affect each other, but a good place to start is with aperture.
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An estimated eight-to-twelve million tons of plastic waste enters our oceans every year; if this trend continues, experts say that by the year 2050, there could be more plastic in the sea than there are fish. More than 800 marine species have been affected by the contamination of their ecosystems, and huge numbers of them have died painfully from ingesting or getting tangled in plastics.
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If anything good has come out of the current lockdown, it’s the many wonderful ways people have been finding to stay creative. When the coronavirus began to take hold and necessary government instructions rendered my wedding and portrait photography business inoperable, I had to deal with the shock and financial implications of it like any other photographer. It also threw up another challenge: how do we as creatives stay creative?
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